I love stories that don’t scream that there will be beauty. They don’t start with lovely scenery or soft prose or sweet, empty dialogue. They either punch you in the face with their raw brutality or ugliness, or they begin speaking like a college professor or the hundred year old guy that’s run the taxidermy shop forever and ever and you secretly suspect might be one of the immortals. But then the rust peels back a little, the or the dry fact deepens, the magic starts to flicker, and you see a little glimmer at the corner of the page or the screen or in the chase of words across the page. And you know you are reading a very, very good story indeed. The story hiding behind the mask; the story in the sackcloth or the donkeyskin. The best kind of story.
A few of these I’ve read recently:
The staff of what used to be the Mississippi Review Online has a new online endeavor, Rick Magazine. This story by Roxane Gay is in it and it is so good, especially the very last line. Ouch.
The whole latest issue of Harp & Altar is solid gold, but this piece from Susan Daitch stands out even among the standouts. Gorgeous and fact-packed and shiny-brassed as a magic lantern, and surprisingly moving, too.
This killer story by Evelyn Hampton is just one of many rusty glimmers in the wonderful new issue of Action Yes.
Lots of good stuff to dig into 

Man, I loved Book It. Is it sad that one of my most favorite events of the year/memories was created by Pizza Hut?
Ethel Rohan’s 

